Face Distortion Aftereffects in Personally Familiar, Famous, and Unfamiliar Faces

نویسندگان

  • Billy Ronald Peter Walton
  • Peter James Hills
چکیده

The internal face prototype is thought to be a construction of the average of every previously viewed face (Schwaninger et al., 2003). However, the influence of the most frequently encountered faces (i.e., personally familiar faces) has been generally understated. The current research explored the face distortion aftereffect in unfamiliar, famous, and personally familiar (each subject's parent) faces. Forty-eight adult participants reported whether faces were distorted or not (distorted by shifting the eyes in the vertical axis) of a series of images that included unfamiliar, famous, and personally familiar faces. The number of faces perceived to be "odd" was measured pre- and post-adaptation to the most extreme distortion. Participants were adapted to either an unfamiliar, famous, or personally familiar face. The results indicate that adaptation transferred from unfamiliar faces to personally familiar faces more so than the converse and aftereffects did not transfer from famous faces to unfamiliar faces. These results are indicative of representation differences between unfamiliar, famous, and personally familiar faces, whereby personally familiar faces share representations of both unfamiliar and famous faces.

برای دانلود رایگان متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

منابع مشابه

Aftereffects in face processing

The original aim of this special issue was to use aftereffects to highlight the different cognitive, perceptual, and neural representations of unfamiliar and familiar faces. Face aftereffects occur due to prolonged exposure to an adaptor face that causes a test face to take on the “opposite” characteristics (e.g., a normal face will appear compressed following adaptation to an expanded face, We...

متن کامل

Familiar and Unfamiliar Face Recognition in a Crowd

The purpose of the present study was to investigate whether the visual search process for familiar faces differs from that for unfamiliar faces. We used a single-target visual search task and recorded eye movements of participants during the task. We employed three different types of face familiarity: personally familiar faces (friends and teachers), famous faces, and unfamiliar faces. Particip...

متن کامل

What's special about personally familiar faces? A multimodal approach.

Dual-route models of face recognition suggest separate cognitive and affective routes. The predictions of these models were assessed in recognition tasks with unfamiliar, famous, and personally familiar faces. Whereas larger autonomic responses were only triggered for personally familiar faces, priming effects in reaction times to these faces, presumably reflecting cognitive recognition process...

متن کامل

Famous faces as icons. The illusion of being an expert in the recognition of famous faces.

It is a common belief that we are experts in the processing of famous faces. Although our ability to quickly and accurately recognise pictures of famous faces is quite impressive, we might not really process famous faces as faces per se, but as 'icons' or famous still pictures of famous faces. This assumption was tested in two parallel experiments employing a recognition task on famous, but per...

متن کامل

Socially Important Faces Are Processed Preferentially to Other Familiar and Unfamiliar Faces in a Priming Task across a Range of Viewpoints

Using a priming paradigm, we investigate whether socially important faces are processed preferentially compared to other familiar and unfamiliar faces, and whether any such effects are affected by changes in viewpoint. Participants were primed with frontal images of personally familiar, famous or unfamiliar faces, and responded to target images of congruent or incongruent identity, presented in...

متن کامل

ذخیره در منابع من


  با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید

عنوان ژورنال:

دوره 3  شماره 

صفحات  -

تاریخ انتشار 2012